Working on GLOW for all three seasons was so much fun and so much hard work. For the pilot episode I hit the ground running, making aisles worth of products to fill a 1985 grocery store… which ended up on the cutting room floor. That’s how it goes, but every single set on GLOW took a great deal of work and effort. Seasons 1 and 2 found us in the San Fernando Valley in Chavo’s Boxing Gym, while season 3 took us to Las Vegas’ fictional Fan-Tan Casino, for which I made everything from ashtrays to playing cards to neon signs. GLOW won the 2018 and 2019 Art Directors Guild awards for Excellence in Production Design for a Half Hour Single-Camera TV Series, and was nominated again in 2020. Our team also won the 2018 Primetime Emmy for Outstanding Production Design for a Narrative Program (Half-Hour), and were nominees once more in 2020. It personally meant a lot for me to work on a show with so many women in charge, a show in which the ensemble of female protagonists were grounded, strong, empowered, and funny as hell. GLOW premiered in June 2017 on Netflix. I will never not be bummed that this show got cancelled during the pandemic.